VIDEO: Challenges and Strategies for Anti-Violence Movements

In 2015, BCRW Activist Fellow Dean Spade and BCRW Creative Director Hope Dector produced a video series on historical challenges and strategies for anti-violence movements based on interviews conducted at the 2013 Queer Dreams and Nonprofit Blues Conference, co-sponsored by BCRW and the Engaging Tradition Project at the Center for Gender and Sexuality Law at Columbia Law School. These videos include interviews with Angélica Cházaro, Shira Hassan, Soniya Munshi, Andrea Ritchie, Andrea Smith, and Dean Spade. Watch the videos below. 

What are Alternatives to Nonprofitization and Criminalization for Anti-Violence Movements? from BCRW Videos on Vimeo.

After Nonprofitization: Reevaluating Anti-Violence Strategies from BCRW Videos on Vimeo.

More Laws = More Violence: Criminalization as a Failed Strategy for Anti-Violence Movements from BCRW Videos on Vimeo.

PHOTOS from The Argonauts: A Salon in Honor of Maggie Nelson

On April 14, 2016, Christina Crosby, Saidiya Hartman, Sam Huber, Heather Love, and Maggie Nelson joined us for a conversation at The Argonauts: A Salon in Honor of Maggie Nelson, moderated by Tina Campt. Watch a recording from the event below:

The Argonauts: A Salon in Honor of Maggie Nelson from BCRW Videos on Vimeo.

And check out photos from the event:

Heather Love, Saidiya Hartman, Sam Huber, Tina Campt, Maggie Nelson, Christina Crosby

The Argonauts

Tina Campt, Maggie Nelson, Christina Crosby

The Argonauts

Saidiya Hartman, Tina Campt, Heather Love, Maggie Nelson, Sam Huber, Christina Crosby

View the full album on Facebook.

Photography by Matt Harvey

What’s Next at BCRW, Plus Videos from our Events

A NOTE FROM OUR DIRECTOR:

Thank you to everyone who joined BCRW at our lectures and conversations, our salon, and the annual Scholar and Feminist Conference on feminist sustainabilities. Your thoughtful questions, insights, and contributions generated critical dialogues and planted seeds for ongoing work here at BCRW and beyond.

Though the semester has wound down, BCRW has several exciting projects underway this summer:

  • Launching the BCRW Activist Institute, a new iteration of BCRW’s scholar-activist collaborations.
  • A new partnership with artist Micah Bazant and #TransLiberationTuesday.
  • Organizing the second year of the Harlem Semester, a joint initiative of BCRW and the Department of Africana Studies.
  • Ongoing digitization of BCRW’s archives in collaboration with librarians in the Barnard Archives and Special Collections.
  • A forthcoming issue of The Scholar and Feminist Online on engagements with technoscience.

I hope you will read on to learn more about these projects and to watch recordings of the powerful events we hosted this past semester.

With appreciation,

Tina Campt
Director, Barnard Center for Research on Women


CENTER NEWS

PARTNERSHIPS

#TransLiberationTuesday

BCRW has partnered with artist Micah Bazant on #TransLiberationTuesday, a multimedia project dedicated to supporting, celebrating, and honoring trans people in life, not just in memoriam, focusing on the resilience and accomplishments of trans women, trans femmes, and trans people of color.

This week, #TransLiberationTuesday coordinated with Survived and Punished to support Ky Peterson, a black trans man who is currently incarcerated for defending himself against transphobic violence, and to demand his release.

Please join us by signing the petition demanding that Georgia Governor Nathan Deal exonerate Ky Peterson.

Ky Peterson

Isa Noyola Elle Hearns

 


JOURNAL ISSUE

THE SCHOLAR & FEMINIST ONLINE 13.2
Navigating Neoliberalism in the Academy, Nonprofits, and Beyond

This issue of The Scholar & Feminist Online uses the theoretical and historical models articulated by INCITE! Women of Color Against Violence to critique the non-profit industrial complex (NPIC) and later the academic industrial complex (AIC) to explore the non-profit and the university as two key sites in which neoliberal social and economic reforms are constituted and contested. This issue is edited by Soniya Munshi and Craig Willse. Contributors include Ujju Aggarwal, Gabriel Arkles, Maile Arvin, Myrl Beam, Avi Cummings, Treva Ellison, Pooja Gehi, Gillian Harkins, Priya Kandaswamy, Soo Ah Kwon, Colby Lenz, Edwin Mayorga, Mimi Thi Nguyen, Rori Rohlfs, Dean Spade, and Lee Ann S. Wang. In addition, the issue includes reprinted articles by Alisa Bierria, Ruth Wilson Gilmore, Paul Kivel, Dylan Rodríguez, and Paula X. Rojas, fromThe Revolution Will Not be Funded, a crucial, currently out of print collection edited by INCITE! Women of Color Against Violence. This issue also includes videos produced by Dean Spade and Hope Dector, featuring interviews with activists and academics at the 2013 conference “Queer Dreams and Nonprofit Blues.”

Available free online at http://sfonline.barnard.edu.


CURRICULAR INITIATIVE

BCRW and Africana Studies Department Wrap the Inaugural Harlem Semester

Spring 2016 marked the inaugural launch of the Harlem Semester – an ambitious public humanities initiative that explores the myriad forms of black culture and politics emerging in and around Harlem. Organized by the Barnard Center for Research on Women and the Department of Africana Studies, the Harlem Semester pairs faculty research and instruction with venerated Harlem institutions to teach the neighborhood’s rich cultural and political legacy.

Learn more about the initiative, course offerings, and institutional partnerships by visiting http://bcrw.barnard.edu/publications/harlemsemester.

Harlem Semester

Image Credit: Harlem Semester course Performing Risk: James Baldwin’s Harlem with Professor Rich Blint


VIDEO

Queer Dreams and Nonprofit Blues

A collaboration with BCRW Activist Fellow Dean Spade

Queer Dreams Part 1: What are We Fighting For? from BCRW Videos on Vimeo.

Queer Dreams and Nonprofit Blues Part 2: How Do Rich People Control Our Movements? from BCRW Videos on Vimeo.

Queer Dreams and Nonprofit Blues Part 3: The Nonprofit Hamster Wheel from BCRW Videos on Vimeo.

Queer Dreams and Nonprofit Blues Part 4: Who’s in Charge? from BCRW Videos on Vimeo.

Queer Dreams and Nonprofit Blues Part 5: Basebuilding from BCRW Videos on Vimeo.

Queer Dreams and Nonprofit Blues Part 6: Where Do We Go From Here? from BCRW Videos on Vimeo.


 

VIDEO

SPRING 2016 EVENTS

 

Tina Campt – Welcoming Remarks at The Scholar & Feminist Conference 41: Sustainabilities from BCRW Videos on Vimeo.

Reina Gossett: Making a Way Out of No Way from BCRW Videos on Vimeo.

Queer Survival Economies: Invisible Lives, Targeted Bodies from BCRW Videos on Vimeo.

Sustaining Harlem: Art, Community Activism and Black Women’s Leadership from BCRW Videos on Vimeo.

Working at the Limits: State and Structural Violence from BCRW Videos on Vimeo.

Gloria Joseph and Naomi Jackson: Caribbean Feminisms on the Page from BCRW Videos on Vimeo.

The Argonauts: A Salon in Honor of Maggie Nelson from BCRW Videos on Vimeo.


THANK YOU TO OUR SUPPORTERS

Argonauts Salon in Honor of Maggie Nelson

Caribbean Feminisms: From the Page to our Lives, Across Borders and Communities

Edwidge-Danticat-and-Victoria-Brown-signing-books-700x467

Victoria Brown and Edwidge Danticat at Barnard College

In hosting a series of events that featured conversations between Caribbean woman writers, the Barnard Center for Research on Women sought to centralize the importance of developing a transnational feminist dialogue. This year, the debut event for the BCRW’s Caribbean Feminisms on the Page series featured a conversation between Edwidge Danticat and Victoria Brown.
wind is spirit (1) bird hill

The concluding salon in the sequence was a discussion about The Wind is Spirit: The Life, Love, and Legacy of Audre Lorde and The Star Side of Bird Hill between their respective authors, Gloria Joseph and Naomi Jackson.

The writings of Victoria Brown, Edwidge Danticat, Audre Lorde, and Naomi Jackson, are all formed within a framework of Caribbean feminism. As Black women with ties to the Caribbean, the authors’ literary projects have been informed by a transnational feminist effort that welds U.S.- based Black feminism, anti-imperial dialogues, and the liberation efforts of Caribbean women at home and in the diaspora. To suture the rifts and fragments of their narratives, Caribbean women make use of a feminist impulse that constantly questions state violence and structural domination. The works of these authors reveal the resistant forms of everyday knowledge-making and activism practiced by Caribben women.

In Edwidge Danticat’s work, specifically in her memoir, Brother I’m Dying, these dialogues are depicted as emerging from deeply personal interactions with state power and governance that threaten to rupture the familial structure. In depicting the instability and precarity experienced by a family caught in the links of migration, detention, and displacement, Danticat reveals a disruption of familial space by threats of forceful state governance. Naomi Jackson’s coming of age novel, The Star Side of Bird Hill, delves into an equally complex family narrative with similar concerns around transplantation, displacement, and the mobility of the fractured West Indian family and body. Offering deeply intimate accounts of Black girlhood and its complexities, the narratives fit within a contentious structural conflict between imperialist governance and Caribbean feminisms. This type of governance is rooted in efforts to gain control over Caribbean livelihoods to serve the needs of Euro-American economic and political expansion and is tied to state practices of border control. 

The works of Victoria Brown, Edwidge Danticat, Audre Lorde, and Naomi Jackson consider home as a mobile and precarious site. This precarity is informed by the shifting migratory patterns produced by border delineations that have segmented the Caribbean body, and arguably all migrant bodies, warping its sense of belonging and cultural allegiance.

Audre and Linda

In Zami, Audre Lorde describes her own sense of longing for a home she only knew through her West Indian mother. Lorde forges a link between her relationship to her mother and her relationship to Grenada, establishing a maternal kinship that exceeds time and place, extending the notion of communal networks among women beyond borders. Lorde posits not only gender identity and sexuality as unstable categories, but also the very notion of home.

Once home was a far way off, a place I had never been to but knew well out of my mother’s mouth. She breathed exuded hummed the fruit smell of Noel’s Hill morning fresh and noon hot, and I spun visions of sapadilla and mango as a net over my Harlem tenement cot in the snoring darkness rank with nightmare sweat. Made bearable because it was not all. This now, here, was a space, some temporary abode, never to be considered forever nor totally binding nor defining, no matter how much it commanded in energy and attention. For if we lived correctly and with frugality, looked both ways before crossing the street, then someday we would arrive back in the sweet place, back home.

In examining practices of border delineation, Brown and Danticat consider Caribbean feminism a form of resistance to their resulting influence in producing displaced and stateless subjects. In order to critically consider notions of empire, spatial organization of bodies, and national allegiances, Caribbean feminisms demand attention to the gendered contours of statelessness and displacement. Understanding regional and transnational political dynamics as interactive allow insight into the practices by which Caribbean women’s subjectivities are formed.

During a “Caribbean Feminisms on the Page” conversation between Edwidge Danticat and Victoria Brown, a question arose about whether there is a feminist movement in the Caribbean that mobilizes scholarly, intellectual engagements. Demanding attention to visibility, class inequality, and various structural challenges that eclipse efforts of resistance to imperial governance mobilized by Caribbean women, Danticat offered insight into the gendered dimensions of the Dominican-Haitian border relations. In the context of border conflict, Haitian women’s bodies are caught in the juncture of dominance and subjugation enforced by paramilitary state practices and border policing. The livelihoods of Haitian women are undermined through displacement while their subjectivity and sovereignty are constrained within structural power relations. Any attempt at understanding contemporary struggles against xenophobic and anti-Black border policies must be grounded in a differential study of Haitian and Dominican histories as they connect with practices of U.S. imperialism, colonial relations, and insurgent movements and practices of resistance.

Caribbean feminisms are informed by historical narratives of struggle, resistance, and survival against imperial and colonial domination. They operate as part of a mobile and global dialogue and are rooted intimacy of the home setting. Audre Lorde centers her self-actualization and instinct for creating communal bonds with other women in the home-place she refers to as Carriacou, her mother’s place of origin. She describes these lessons in Zami in recounting the narratives of her kinfolk:

Women who survived the absence of their sea-faring men easily, because they came to love each other, past the men’s returning. Madivine. Friending. Zami. How Carriacou women love each other is legend in Grenada, and so is their strength and their beauty.

Created by the labor and collective engagements of Caribbean women, Caribbean feminisms are inextricably linked to traditions forged within the context of slavery. In her dialogue with Gloria Joseph as part of the “Caribbean Feminisms on the Page” series, Naomi Jackson emphasizes the imprint of slavery and its legacy in the context of Barbadian communities. Caribbean feminisms have been mobilized across time and space to give form to complex narratives and subjectivities, and have been integral to resistance efforts and radical engagements for change in the livelihoods of Caribbean women.

These efforts and narratives converge when we consider women’s labor activism in Haiti and in the Dominican Republic. Black women’s bodies in their racialized constitutions are inextricably linked to state power and expansion and Black womanhood is anchored to the concept of nation-building. Strategies of empire-expansion deploy women’s bodies within their racialized hierarchies to sustain complex capitalistic economic and political structures. This is revealed in the historical practice of using Black women’s bodies as tools of labor production and reproduction in the United States and in the Caribbean.

One StruggleOngoing issues concerning wage disparity, statelessness and displacement, state violence and carceral practices against Black bodies must be viewed through the critical lens of Caribbean feminism. The condition of Haitian workers in Haiti, the Dominican Republic, and the United States, where imperial forces operate to sustain capitalist economies, must be viewed as inextricably linked.

By generating feminist discourse concerning Caribbean womanhood, nationhood, and history, Danticat, Brown, and Jackson are effectively mobilizing resistance and forging transnational links of solidarity between feminist narratives. The Feminisms on the Page series has provided a forum in which we have grappled with the tools and narratives offered within Caribbean feminist frameworks

We must continue to go further; from the page to the streets, across borders and communities, we must devote creative efforts and generate activist engagements that centralize narratives of resistance and forge links of solidarity between our liberation strategies. 

We can draw from the narratives offered by our foremothers, Caribbean woman-storytellers, healers, and activists like Audre Lorde to carry out our investments in collective liberation.

Audre

 

Related:

“Next Steps in the Struggle for Citizenship in the Dominican Republic”

“Home is Where the Heart Cannot be: the oppression of Haitians in the Dominican Republic” 

“Digital Translations of Quisqueya”