Poetics of Justice: A Conversation Between Claudia Rankine and Dionne Brand
BCRW is thrilled to host Poetics of Justice: A Conversation Between Claudia Rankine and Dionne Brand, moderated by BCRW Associate Director Tami Navarro, on the power and necessity of poetry in resisting the contemporary manifestations of racism, anti-blackness, and white supremacy.
This event is very much a response to the current political moment in the United States, and has its roots in a BCRW literary series initiated in 2014, Caribbean Feminisms on the Page. These conversations featured authors thinking through their engagements with the Caribbean and its diaspora and their experiences as women writing in and about the region.
Registration is preferred but not required. Capacity is limited and due to the popularity of this event, we will be seating on a first-come, first-served basis.
About the Speakers
Dionne Brand, Professor in the School of English and Theatre Studies, is a renowned poet, novelist, and essayist. Her writing is notable for the beauty of its language, and for its intense engagement with issues of social justice. She was Poet Laureate of the City of Toronto 2009-2012 and has received the Harbourfront Festival Prize for her contribution to the world of books and writing.
An award-winning poet, Dionne Brand won both the Governor General’s Literary Award and the Trillium Prize for Literature for her volume Land to Light On. Among her works the volumes No Language Is Neutral and Inventory respectively were nominated for the GG. She has won the Pat Lowther Award for poetry for her volume thirsty, which was also nominated for the Griffin Poetry Prize, the Toronto Book Award and the Trillium prize for literature. Her work of Poetry, Ossuaries won the 2011 Griffin Poetry Prize.
As a novelist, Brand has also achieved distinction. Her critically acclaimed novel, What We All Long For, won the Toronto Book Award. Her latest novel, Love Enough was short listed for the Trillium Prize for Literature, 2015. Her fiction includes the novel In Another Place, Not Here, a New York Times notable book, and At the Full and Change of the Moon, a Los Angeles Times Notable Book.
Brand’s non-fiction works include Bread Out Of Stone, and A Map to the Door of No Return, which, has been widely taken up in scholarly work on Being in the Black Diaspora.
Recipient of the 2016 MacArthur Fellowship, Claudia Rankine is the author of five collections of poetry including Citizen: An American Lyric and Don’t Let Me Be Lonely; two plays including Provenance of Beauty: A South Bronx Travelogue; and is the editor of several anthologies including The Racial Imaginary: Writers on Race in the Life of the Mind. She also co-produces a video series, “The Situation,” alongside John Lucas, and is the founder of the Open Letter Project: Race and the Creative Imagination. Among her numerous awards and honors, Rankine is the recipient of the Poets & Writers’ Jackson Poetry Prize and fellowships from the Lannan Foundation and the National Endowment of the Arts.
Rankine’s bestselling book, Citizen: An American Lyric (Graywolf, 2014), uses poetry, essay, cultural criticism, and visual images, to explore what it means to be an American citizen in a “post-racial” society. A defining text for our time, Citizen was the winner of the 2015 Forward Prize for Best Collection, the National Book Critics Circle Award for Poetry (it was also a finalist in the criticism category, making it the first book in the award’s history to be a double nominee), the NAACP Image Award, the PEN Open Book Award, and the LA Times Book Award for poetry. Citizen was nominated for the Hurston/Wright 2015 Legacy Award, was a finalist for the 2014 National Book Award, and was selected as an NPR Best Book of 2014, who stated: “This collection examines everyday encounters with racism in the second person, forcing the reader—regardless of identity—to engage a narrative haunted by the deaths of Michael Brown, Trayvon Martin, and Renisha McBride.” Citizen also holds the distinction of being the only poetry book to be a New York Times bestseller in the nonfiction category.
In all of her work, whether writing about intimacy or alienation, Rankine’s voice is one of unrelenting candor, and her poetry is some of the most innovative and thoughtful work to emerge in recent years. Her work often crosses genres as it tracks wild and precise movements of mind. In the words of the Judges Citation for the Jackson Prize: “The moral vision of Claudia Rankine’s poetry is astounding. In a body of work that pushes the boundaries of the contemporary lyric, Rankine has managed to make space for meditation and vigorous debate upon some of the most relevant and troubling social themes of the 20th and 21st centuries….These poems do the work of art of the highest order—teaching, chastening, changing, astounding, and humanizing the reader.”
Her other poetry collections are Don’t Let Me Be Lonely (2008); the award-winning Nothing in Nature is Private; The End of the Alphabet; and Plot, wherein she welds the cerebral and the spiritual, the sensual and the grotesque. Don’t Let Me Be Lonely—a multi-genre project that blends poetry, essays, and image—is an experimental and deeply personal exploration of the condition of fragmented selfhood in contemporary America. Rankine is also the author of the play, Provenance of Beauty: A South Bronx Travelogue, which is performed on a bus ride through the Bronx. The New York Times calls it an “engrossing urban adventure, which does not conform to the standard formula for theater but does make the bustle outside the bus throb with history, mystery and meaning, as the best live performances do.”
Rankine co-edited the anthology American Women Poets in the 21st Century: Where Lyric Meets Language, and her work is included in several anthologies, including Great American Prose Poems: From Poe to the Present, Best American Poetry 2001, Giant Step: African American Writing at the Crossroads of the Century, and The Garden Thrives: Twentieth Century African-American Poetry. Her work has been published in numerous journals including Boston Review, TriQuarterly, and The Poetry Project Newsletter.
She lives in New York City and teaches at Yale University as the Frederick Iseman Professor of Poetry.