{"id":175,"date":"2015-10-09T00:55:49","date_gmt":"2015-10-09T00:55:49","guid":{"rendered":"http:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=175"},"modified":"2015-10-26T01:41:21","modified_gmt":"2015-10-26T01:41:21","slug":"black-macho-and-sos-readings","status":"publish","type":"post","link":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=175","title":{"rendered":"Black Macho and SOS readings"},"content":{"rendered":"

The page numbers on the syllabus for Black Macho<\/em> translate into: Part\u00a01, chapter 1, Part II, chapters 1 & 3<\/p>\n

from\u00a0SOS Calling All Black People! A Black Arts Movement Reader:<\/em><\/p>\n

Larry Neal, “The Black Arts Movement” (essay)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 55<\/p>\n

Amira Baraka, “Black Art” (essay)<\/p>\n

Read one of these three:<\/p>\n

<\/p>\n

    \n
  1. Harold Cruse, “The Harlem Black Arts Theater\u2014New Dialogue with the Lost Black Generation” \u00a0 39<\/li>\n
  2. Dudley Randall, “Broadside Press: A Personal Chronicle”(essay)\u00a0 67<\/li>\n
  3. Barbara Ann Teer, “Needed: A New Image” (essay -theater)\u00a0\u00a0 82<\/li>\n<\/ol>\n

    Sonia Sanchez, “Introduction (Queens of the Universe)” \u00a0 114<\/p>\n

    Jewel C. Latimore (Johari Amini), “Upon Being Black One Friday Night in July”\u00a0\u00a0 265<\/p>\n

    Jayne Cortez, “How Long Has This Trane Been Gone 327<\/p>\n

    Sonia Sanchez, “a \/coltrane \/poem” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 361<\/p>\n

    Ishmael Reed, “I am a Cowboy in the Boat of Ra” \u00a0\u00a0\u00a0\u00a0\u00a0 380<\/p>\n

    Mari Evans, “I am a Black Woman”\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 386<\/p>\n

    Nikki Giovanni, “Woman Poem” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 388<\/p>\n

    June Jordan, “If you saw a Negro lady” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 391<\/p>\n

    Audre Lorde, “Naturally” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 393<\/p>\n

    Don L. Lee \/ Haki Madhubuti, “blackwoman” \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 396<\/p>\n

    Sonia Sanchez “woman” \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0398<\/p>\n

    Etheridge Knight, The Idea of Ancestry 413″<\/p>\n

    Aishah Rahman, “Living in the Black Arts Movement” (Reminiscence\/essay) 439<\/p>\n

    Addendum (in courseworks)<\/strong><\/p>\n

    Nikki Giovanni, “Beautiful Black Men”<\/p>\n

    —–, “The True Import Of Present Dialogue, Black vs. Negro (For Peppe, Who Will Ultimately Judge Our Efforts)”<\/p>\n

    Hearing Amiri Baraka<\/a> on NYTimes<\/p>\n

    As we’ve discussed, music was an important part of Black Arts Aesthetics and Ideology, so here are some playlists<\/p>\n

    Black Power Mixtape by NPR if you are a member <\/span>on Spotify<\/a><\/p>\n

    http:\/\/www.pbs.org\/independentlens\/black-power-mixtape\/music.html<\/p>\n

    I also made a YouTube mixtape mostly based on the “Music” section in\u00a0SOS: Calling All Black People<\/em>
    \n