{"id":285,"date":"2015-10-13T01:07:00","date_gmt":"2015-10-13T01:07:00","guid":{"rendered":"http:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=285"},"modified":"2015-10-26T01:43:10","modified_gmt":"2015-10-26T01:43:10","slug":"male-criticisms-of-black-womanhood","status":"publish","type":"post","link":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=285","title":{"rendered":"Male Criticisms of Black Womanhood"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Last class, Amanda posed the following question:<\/span><\/p>\n<blockquote><p><span style=\"font-weight: 400;\">\u201cIn recognizing the importance of <\/span><i><span style=\"font-weight: 400;\">for colored girls <\/span><\/i><span style=\"font-weight: 400;\">centralizing collectivity among black women, or what Soyica Diggs Colbert describes as \u201ccreating alternative sites of belonging,\u201d how can we begin to explore and deconstruct criticism of the play\u2019s presentation of black men?\u201d<\/span><\/p><\/blockquote>\n<p><span style=\"font-weight: 400;\">I cannot help but want to answer this question in light of this week\u2019s reading. Though there is an incredible sense of community and sisterhood between the women in <\/span><i><span style=\"font-weight: 400;\">for colored girls <\/span><\/i><span style=\"font-weight: 400;\">and\u00a0<\/span><span style=\"font-weight: 400;\">part of the glue that binds them is their experiences (whether positive or oppressive) with black men. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In a world without men, <\/span><i><span style=\"font-weight: 400;\">for colored girls<\/span><\/i><span style=\"font-weight: 400;\"> would cease to exist. Poems such as \u201clatent rapists,\u201d \u201csorry,\u201d \u201cabortion cycle #1\u201d in <\/span><i><span style=\"font-weight: 400;\">for colored girls <\/span><\/i><span style=\"font-weight: 400;\">speak to neglect, rape and misfortune in black women\u2019s lives that is a result of black men\u2019s behavior. Probably the reason why the criticism hits home for the male critics of <\/span><i><span style=\"font-weight: 400;\">for colored girls<\/span><\/i><span style=\"font-weight: 400;\"> is because the women are not abused by an abstract, distance entity, but are \u201cbein betrayed by men who know [them]\u201d (33) and those have been \u201cconsidered a friend\u201d (34).\u00a0<\/span><\/p>\n<p><!--more--><br \/>\n<span style=\"font-weight: 400;\">Michele Wallace\u2019s <\/span><i><span style=\"font-weight: 400;\">Black Macho <\/span><\/i><span style=\"font-weight: 400;\">provides an illuminating explanation as to the reason behind tension between black men and women. She states, \u201cThere was a misunderstanding between the black man and the black woman, a misunderstanding as old as slavery\u201d (12). Wallace explains that black men and women have never been united in their struggles for liberation because black women have always been seen as siding with the white man. They were favored by the white men because of their sex appeal and their ability to work in the home as maids and caretakers. As a result, black men have come to conceive of black women as accomplices with the white man in the \u201chistorical castration of black manhood\u201d as Larry Neal puts it (<\/span><i><span style=\"font-weight: 400;\">SOS-Calling All Black People<\/span><\/i><span style=\"font-weight: 400;\"> 61). Wallace also explains that the myth of the superwoman or the matriarchal strong black woman helps to further portray black women as complicit in the demasculinization of black men.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/atlantablackstar.com\/wp-content\/uploads\/2014\/10\/slavery-rape.jpg\" alt=\"\" width=\"650\" height=\"503\" \/><\/p>\n<p>Different treatment of the black man and woman by the white slave master<\/p>\n<p><span style=\"font-weight: 400;\">This week\u2019s readings also relate to my post \u201c<a href=\"http:\/\/bcrw.barnard.edu\/digitalshange\/blog\/2015\/09\/30\/shange-engaging-black-masculinity\/\" target=\"_blank\">Engaging Black Masculinity<\/a>\u201d in which Shange references Richard Wright\u2019s <\/span><i><span style=\"font-weight: 400;\">Native Son <\/span><\/i><span style=\"font-weight: 400;\">to demonstrate how the plight of the black men and woman is a result of the white woman. Wallace illustrates this when she writes, \u201cBlack men often could not separate their interest in white women from their hostility towards black women\u201d (10). In addition, Neal states that \u201cit is the fantasy to which Frantz Fanon alludes in <\/span><i><span style=\"font-weight: 400;\">The Wretched of the Earth <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">Black Skin, White Mask<\/span><\/i><span style=\"font-weight: 400;\">: the native\u2019s belief that he can acquire the oppressor\u2019s power by acquiring his symbol, one of which is the white woman\u201d (<\/span><i><span style=\"font-weight: 400;\">SOS <\/span><\/i><span style=\"font-weight: 400;\">61).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/loveinthemargins.com\/wp-content\/uploads\/2013\/11\/Gustav-Sabac-el-Cher.jpg\" alt=\"\" width=\"500\" height=\"422\" \/><\/p>\n<p>I am especially interested in further exploring the tension that exists between black and white women as point of departure for talking about feminism in the context of women of color and how Shange addresses this in her work.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last class, Amanda posed the following question: \u201cIn recognizing the importance of for colored girls centralizing collectivity among black women, or what Soyica Diggs Colbert describes as \u201ccreating alternative sites of belonging,\u201d how can we begin to explore and deconstruct criticism of the play\u2019s presentation of black men?\u201d I cannot help but want to answer [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[111,109,65,110],"class_list":["post-285","post","type-post","status-publish","format-standard","hentry","category-blogposts","tag-black-macho","tag-blogpost-4","tag-for-colored-girls","tag-michelle-wallace"],"_links":{"self":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts\/285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=285"}],"version-history":[{"count":4,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts\/285\/revisions"}],"predecessor-version":[{"id":403,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts\/285\/revisions\/403"}],"wp:attachment":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}