{"id":423,"date":"2015-10-29T15:08:05","date_gmt":"2015-10-29T15:08:05","guid":{"rendered":"http:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=423"},"modified":"2015-10-30T03:51:16","modified_gmt":"2015-10-30T03:51:16","slug":"her-sisters-cooked-she-made-spells-reflections-on-meeting-shange","status":"publish","type":"post","link":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=423","title":{"rendered":"\u201cHer Sisters Cooked & She Made Spells\u201d: Reflections on meeting Shange"},"content":{"rendered":"

I am really grateful for having the opportunity to meet Shange in such an intimate setting. I think the most stimulating of many pleasant moments were hearing Shange talk about the thoughts and stories behind the creation of some of her major works, realizing she literally lives a choreopoem, and getting to speak to her about i live in<\/em> music<\/em>.<\/p>\n

I titled this post after the words Shange used to encapsulate her novel Sassafrass, Cypress, and Indigo<\/em>. The simplicity of her synopsis lends to the idea that explication isn\u2019t always necessary\u2014a point that I think is central to Shange\u2019s work. Although the statement is simple and accessible, it also proves complex and in need of dissection. Cooking and making spells are two sides of the same creative coin. While her sisters cook, Indigo makes spells\u2014collectively their crafts render them creators, historians, and even personal archivists.<\/p>\n

In thinking of the class\u2019 discussion on the significance of women of color telling and recording their own stories, I am inclined to consider the way Shange communicated throughout the class meeting. While speaking, Shange often tapped her foot on the floor to a rhythm that was in conversation with the swaying of her arms. At some point, I realized that I was listening out for these taps. Not merely out of curiosity, but rather out of necessity. Her stomping music and dancing arms served as means for me to grasp her thoughts, completely. They functioned as beginning, ending, and accent of her ideas. Her life truly is choreopoem in practice.<\/p>\n

At the dinner\u2019s conclusion I spoke with Shange about her poem, i live in music<\/em><\/a> and asked about the motivation behind it. Not only did Shange recount that the poem\u2019s creation was an improvisational act\u2014the result of having a band cancel their performance last minute during a radio show she was hosting (?)\u2014she also explained that the line \u201cI got 15 trumpets where other women got hips<\/em>\u201d\u2014a line that I had to inquire about because of its particular importance to me\u2014came out of the genuine and literal desire to have 15 trumpets playing during her show. The line also spoke to the functionality of horns, like trumpets, as tools for heralding things and people of great importance. Furthering this idea, Shange spoke to the horn and trumpet being analogy to women as heralds of the miraculous\u2014the creation of art and life, for example.<\/p>\n

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This is a short playlist of some of the songs that got me over hurdles while writing this post. Hope you enjoy!<\/p>\n

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