{"id":993,"date":"2016-02-20T22:26:10","date_gmt":"2016-02-20T22:26:10","guid":{"rendered":"http:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=993"},"modified":"2016-02-29T13:52:39","modified_gmt":"2016-02-29T18:52:39","slug":"reading-zake-week-2-i-talk-to-myself-from-nappy-edges","status":"publish","type":"post","link":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/?p=993","title":{"rendered":"Reading Zake Week 2: &#8220;i talk to myself&#8221; from Nappy Edges"},"content":{"rendered":"<blockquote>\n<p class=\"p1\"><span class=\"s1\">i can\u2019t quite remember how many questions or journalists or people have happened to me in the last year. i can\u2019t even remember everything i\u2019ve said. i know i tried to convey my perceptions of the world, of men &amp; women, music &amp; language, as clearly as i cd, but poets who talk too much can trip over their own syllables. can become absurd. like the time i told this woman that the most important thing that ever happened to me was my tail-cutting party. or the time i started crying in the middle of a question cuz the person waz so nasty to me i cd no longer speak. he said i had no right to exist\/ so i said\/ go speak to a rightfully existing person, a white man, maybe. that\u2019s not good press.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u2026<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>tz: well. how do you explain loving some men who write &amp; some men who play music &amp; some men who are simply lovable, when yr work for almost three years has been entirely woman-centered?<\/i><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">i can do a lot of things. we all can. women haveta. i waz not able to establish the kind of environment i that my work needed when i read with men all the time. you haveta remember there\u2019s an enormous ignorance abt women\u2019s realities in our society. we ourselves suffer from a frightening lack of clarity abt who we are. my work attempts to ferret out what i know &amp; touch in a woman\u2019s body. if i really am committed to pulling the so-called personal outta the realm of non-art. that\u2019s why i have dreams &amp; recipes, great descriptions of kitchens &amp; handiwork in <i>sassafrass, cypress, &amp; indigo. <\/i>that\u2019s why in <i>for colored girls\u2026<\/i>i discuss the simple reality of going home at nite, of washing one\u2019s body, looking out the window with a woman\u2019s eyes. we must learn our common symbols, preen them and share them with the world. the readings i usedta do with david henderson, conyus, bob chrisman, paul vane, ton cusan, roberto vargas &amp; all the others at the coffee gallery, the intersection, &amp; s.f. state were quite high, but the readings at the women\u2019s studies center, with the third world women\u2019s collective, international woman\u2019s day affairs, with the shameless hussy poets, these were overwhelmingly intense &amp; growing experiences for me as a woman &amp; as a poet.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">the collective recognition of certain realities that are female can still be hampered, diverted, diluted by a masculine presence. yes, i segregated my work &amp; took it to women. much like i wd take fresh water to people stranded in the mojave desert. i wdnt take a camera crew to observe me. i wdnt ask the people who had never known thirst to come watch the thirsty people drink.<\/span><\/p>\n<\/blockquote>\n<p class=\"p1\"><!--more--><\/p>\n<p class=\"p1\"><span class=\"s1\">I am drawn to print media because it exists as a result of us coming together to create something with our hands, and is experienced tangibly, in the solitudes where we meet. I revisited this passage because it addresses writing about oneself, being written about, and writing about others \u2014in essence, the groundwork of all journalistic possibilities. <\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">There\u2019s a tension in the first paragraph that I\u2019ve never thought of before; I was surprised when I saw Michele Wallace\u2019s 1979 <i>Ms. <\/i>cover, because it was a radically significant amount of \u201cscreen time\u201d to give a black woman, especially to talk about her own work. And unfortunately, today we are still focused on the mere <i>incorporation <\/i>of diverse bodies in our media. But what if the incorporation of those bodies functions to exploit them, as is the case when Shange is interviewed by a white man, probably for some highly circulating and well-funded (therefore \u201cprestigious\u201d) publication? <i>It is mandatory that we write for ourselves. <\/i>Thus, the creation of zines, independent mags, and other such publications is essential. Whose responsibility is it to circulate them? How do we compare the importance of external voices reading autobiographical subaltern writing to the act of subaltern communities writing themselves? How do we interview without exploiting the subject? Who has the right to witness thirsty women drink? How do we better distribute spaces like the women\u2019s studies center, the third world women\u2019s collective, etc. so more women can experience the feminine and poetic growth they provide? How do we expand the influence of low-or-non-circulating publications made by women and women of color beyond the healing experienced by those involved in its creation?<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>i can\u2019t quite remember how many questions or journalists or people have happened to me in the last year. i can\u2019t even remember everything i\u2019ve said. i know i tried to convey my perceptions of the world, of men &amp; women, music &amp; language, as clearly as i cd, but poets who talk too much [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[310],"tags":[330,329,327,20,63,331,69,21,328,326,10,43],"class_list":["post-993","post","type-post","status-publish","format-standard","hentry","category-reading-zake","tag-communion","tag-exploitation","tag-journalism","tag-nappy-edges","tag-ntozake-shange","tag-ownership","tag-poems","tag-poetry","tag-print","tag-reading-zake","tag-shange","tag-writing"],"_links":{"self":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts\/993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=993"}],"version-history":[{"count":1,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts\/993\/revisions"}],"predecessor-version":[{"id":994,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=\/wp\/v2\/posts\/993\/revisions\/994"}],"wp:attachment":[{"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/digitalshange\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}