A Guggenheim Fellow and TIME100 Honoree, Tourmaline is an artist, filmmaker, and national bestselling author whose work spans high art and pop culture. Tourmaline’s art is in the permanent collections of The Met, MoMA, Tate, and the Whitney, among other museums. Her influence in contemporary art has also been showcased in both the Venice Biennale and the Whitney Biennial. Tourmaline’s award-winning films — including the critically acclaimed Happy Birthday, Marsha!; Salacia; Atlantic is a Sea of Bones; and Mary of Ill Fame — have been widely recognized for their unique blend of historical narrative and speculative futurism. Tourmaline’s commercial film projects have premiered at the MTV Video Music Awards, and she has led the creative for brand campaigns with Fortune 500 companies, such as a film series presented by Unilever on the topic of LGBTQ+ communities in rural America.
Tourmaline’s portfolio also extends to fashion: her trans-inclusive swimwear line with Chromat debuted at New York Fashion Week with glowing praise from Vogue. The latest collection launched in April 2025. Tourmaline’s new book MARSHA (May 2025) is the first definitive biography of the revolutionary Black trans activist Marsha P. Johnson. Her children’s book ONE DAY IN JUNE (May 2025), also inspired by Marsha P. Johnson’s life and activism, received a Starred Review by Publishers Weekly.
The recipient of the BlackStar Luminary Award, Stonewall Visionary Award, HBO Queer Art Prize, and the Baloise Art Prize at Art Basel, Tourmaline crafts worlds across a variety of media that center pleasure, possibility, and transformation. She is a sought-after speaker at institutions like Princeton, Yale, MoMA, The Met, UC Berkeley, Smith College, and Outfest, and has been frequently featured in The New York Times, Vogue, Artforum, and TIME Magazine. A former leader of the Trans Health Campaign at the Sylvia Rivera Law Project, Tourmaline has built a career rooted in community organizing and trans liberation, and is a transformative voice in movements for racial, economic, and gender justice.
Tourmaline is a graduate of Columbia University and lives in Miami with her partner Cameron and their cat Jean.
C. Riley Snorton is Professor of English and Comparative Literature and jointly appointed with the Institute for the Study of Sexuality and Gender at Columbia University. As a cultural theorist, his work focuses on racial, sexual, and transgender histories and cultural productions. He is the author of Nobody Is Supposed to Know: Black Sexuality on the Down Low (University of Minnesota Press, 2014) and Black on Both Sides: A Racial History of Trans Identity (University of Minnesota Press, 2017), winner of the John Boswell Prize from the American Historical Association, the William Sanders Scarborough Prize from the Modern Language Association, the Lambda Literary Award for Transgender Nonfiction, the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies, and an honorable mention from the American Library Association Stonewall Book Award Committee. Snorton is a co-editor of Saturation: Race, Art and the Circulation of Value (MIT Press/New Museum, 2020). Since 2020, he has been a co-editor of GLQ: A Journal of Gay and Lesbian Studies (Duke University Press). Snorton’s next monograph, tentatively titled Mud: Ecologies of Racial Meaning, examines the constitutive presence of swamps to racial practices and formations in the Americas. Currently, he is co-authoring A Black Queer History of the United States (Beacon Press) and co-editing The Flesh of the Matter: A Hortense Spillers Reader (Vanderbilt University Press).