{"id":7977,"date":"2023-06-07T20:56:02","date_gmt":"2023-06-08T00:56:02","guid":{"rendered":"https:\/\/bcrw.barnard.edu\/staging\/2435\/?p=7977"},"modified":"2023-06-08T12:01:25","modified_gmt":"2023-06-08T16:01:25","slug":"call-for-submissions-rage-struggle-freedom","status":"publish","type":"post","link":"https:\/\/bcrw.barnard.edu\/staging\/2435\/call-for-submissions-rage-struggle-freedom\/","title":{"rendered":"Call for Submissions: Rage, Struggle, Freedom"},"content":{"rendered":"<p style=\"text-align: center;\"><strong>Call for Submissions<\/strong><\/p>\n<p style=\"text-align: center;\"><b><i>The Scholar and Feminist Online<br \/>\n<\/i><\/b><b>Rage, Struggle, Freedom: Politics of Hope and Love<br \/>\n<\/b><b>Margo Okazawa-Rey and Elif Sarican, Guest Editors<\/b><\/p>\n<p style=\"text-align: center;\"><b>Deadline to Submit<br \/>\n<\/b><b>October 2, 2023<\/b><\/p>\n<p><i><span style=\"font-weight: 400;\">The Scholar and Feminist Online <\/span><\/i><span style=\"font-weight: 400;\">is pleased to invite you to submit your work to our first-ever open call for a special issue on transnational feminist struggles and solidarities guest edited by Margo Okazawa-Rey and Elif Sarican, tentatively titled \u201cRage, Struggle, Freedom: Politics of Hope and Love.\u201d <\/span><i><span style=\"font-weight: 400;\">The Scholar and Feminist Online <\/span><\/i><span style=\"font-weight: 400;\">is an online, open-access, peer-reviewed multidisciplinary journal published by the Barnard Center for Research on Women since 2003. Download the call or read below.<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><b>About the Issue<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">We find ourselves in an era that is marked by an unparalleled state of affairs. We live engulfed in a prevailing \u2018culture of killing\u2019 rooted in direct and indirect disregard for the profound value of all that live in the present and generations to come. This culture of killing threatens and destroys the natural world and human beings worldwide by the on-going extraction and exploitation of natural and human resources, the globalized trend toward militarism and armed conflict, the misogynist and racist violence enacted directly and indirectly by both state, non-state, and social actors. Our intention with this special issue is to consider how transnational feminist political struggle and thinking can offer a way forward in this moment of crisis.\u00a0<\/span><\/p>\n<p><span style=\"text-decoration: underline;\"><b>Our Vision for this Special Issue<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">By synthesizing the politics of love, anger, and resistance with hope and a steadfast dedication to meaningful freedom, feminist scholars and activists in the current century present numerous possibilities for a world markedly distinct from the one we now confront, unlocking the potential for abundant rewards. We believe that as feminists we have a responsibility for future generations, as well in the present time, to continue to struggle.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Feminist scholars and revolutionaries have re-\/awakened the value of methodologies that include mythology, emotion, meta- and the non-material. Scholars, activists, and artists such as Vanessa Thompson, bell hooks, Mari Matsuda, Hakima Abbas, Xhercis Mendez, Pregs Govender, Audre Lorde, and the Kurdish Women\u2019s Movement have endeavored to link the transformation of societal structures, institutions, and systems with the practice of love and rage as a radical feminist praxis. Notably, Jineoloj\u00ee, which is the science of women and knowledge production developed by the Kurdish Women\u2019s Movement over many years of practical resistance and struggle, has contributed significantly to this discourse. These thinkers and methods generate alternatives to capitalist state-based modernity, which is rooted in individualism, transactional relationships, materialism, consumerism, and many forms of alienation from ourselves and the world, around the world.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our goal is to showcase feminist movements and political thought from various parts of the world that demonstrate the influences, roles, and contributions historically and in the economic, political movements led by women, trans, and nonbinary people. We believe in the critical importance of connecting between and among global, regional, local, and on-the-ground struggles and resistances \u2013 historically, in our present and for our future. The layered, complex, and, often contradictory, relationship between ideology, political practice, and personal, interpersonal, and social relations\u00a0 on these multiple scales is a richness rather than a limitation. By taking this approach , we hope to learn from those experiences and integrate those lessons into our own work at this critical juncture \u2013 including how to deal with contradictions in political thought, movements, and our lives.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To this end, we seek submissions from activists, artists, musicians, poets and creative writers, revolutionaries, and scholars that respond to these questions and others you may have in this seemingly unprecedented historic time. We welcome written scholarly articles, individual and movement reflections, and opinion pieces. We also enthusiastically encourage art, poems, and video and creative multimedia forms. <\/span><b>See below for submission guidelines.<\/b><\/p>\n<p><span style=\"text-decoration: underline;\"><b>Our Questions and Background<\/b><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What must we understand about history and how do we bring that understanding into our present and our future?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What is \u201cunspoken\u201d and \u201cunspeakable\u201d in feminist movements and organizations? How should we begin to explore those?<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">How do we, and must we, understand power dynamics&#8211;from interpersonal to global&#8211;in the current historic moment?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What makes you rage? What makes you hopeful? What activates your imagination? What inspires you to \u201ckeep on, keeping on\u201d? How do you express these ways of being and doing in your work and daily life? What are you flummoxed and frustrated by?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">How do you envision liberation and freedom? What is your vision of a genuinely secure world held together by cultures of life?<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><b>List of Possible Topics<\/b><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Rage as force for creativity and transformation\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Re-writing history to include who and what events have been missing and treating history as alive.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Decolonization &amp; anticolonial politics: places, hearts, minds, communities<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Nation and feminist relationships to the state<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Demilitarization, abolition, and genuine security<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Feminist visions of alternatives to capitalism, sustainable\/cooperative economies and of ecological justice<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Feminist education and teaching for freedom and liberation<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Feminist visions of of freedom and liberation<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The unspoken and unspeakable: class politics in feminist spaces and movements<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Pleasurable conversations among feminists engaged in radical, transnational and transformational movements<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Principles and practices of solidarity<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Transnational feminisms, feminist movements and formations<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Intergenerational understandings and conversations\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Politics of grief and trauma as sources of inspiration and hope\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Diverse forms of self-defense\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Methodologies of art, music, and creative expressions in struggle<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Spirituality-rooted social movements<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Feminist responsibility and accountability in our movements and organizations &#8211; feminist justice<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><b>Genre Specifications<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Guest Editors of this special issue are eager to see work across genres, including academic and journalistic writing, poetry, fiction, experimental forms, graphic novel excerpts or stories, visual art, video, and music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With the exception of rare solicited works, <\/span><i><span style=\"font-weight: 400;\">S&amp;F Online<\/span><\/i><span style=\"font-weight: 400;\"> publishes original, never before published work.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All work will be peer reviewed in some capacity. Academic work will be formally peer reviewed while creative work will be reviewed and edited by a relevant specialist.<\/span><b>\u00a0<\/b><\/p>\n<p><span style=\"text-decoration: underline;\"><b>Submission Guidelines<\/b><\/span><\/p>\n<p><b>Cover letter<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Please include with your submission a cover letter of no more than 500 words. The cover letter should include a brief bio, an article abstract or artist\u2019s statement, and your reasons for submitting to this special issue of <\/span><i><span style=\"font-weight: 400;\">The Scholar and Feminist Online<\/span><\/i><span style=\"font-weight: 400;\">. Submissions without cover letters will not be considered.<\/span><\/p>\n<p><b>Academic, journalistic, creative nonfiction essays, fiction, and experimental prose<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Word limit: 3,000 &#8211; 6,000 words<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">All prose submissions should be double-spaced and submitted as a Word document<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">If work includes citations, please use the Chicago Manual of Style<\/span><\/li>\n<\/ul>\n<p><b>Poetry<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">5 poems, or a maximum of 10 pages<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Poetry should be compiled into one document with page breaks between them. Please use the spacing that best represents your work. Please submit two versions, one Word doc, one PDF<\/span><\/li>\n<\/ul>\n<p><b>Visual Art<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Image limit: 5<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Images should be submitted as a .jpeg in the largest size and highest resolution available<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Artist\u2019s statements are not required, but are welcome at the artist\u2019s discretion. If you would like an artist\u2019s statement to be considered for publication, please include it with your submission formatted according to prose specifications (described above) and make note of it in your cover letter (described above)<\/span><\/li>\n<\/ul>\n<p><b>Multimedia Art<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Video limit: 2 or a maximum of 10 minutes<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Audio or audiovisual media should be submitted as a .mp3 or .mp4 file at the highest resolution. For files over 25mb, please provide a download link.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Artist\u2019s statements are not required, but are welcome at the artist\u2019s discretion. If you would like an artist\u2019s statement to be considered for publication, please include it with your submission formatted according to prose specifications (described above) and make note of it in your cover letter (described above)<\/span><\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><b>How to Submit<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">The deadline to submit your work for consideration is <\/span><b>Monday, October 2, 2023.\u00a0<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Please submit your cover letter and original work to <\/span><b>sfonline@barnard.edu<\/b><span style=\"font-weight: 400;\"> with the subject \u201cRage, Struggle, Freedom submission.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Due to the volume of submissions, we will not be able to respond individually to everyone. If you receive an automatic reply, rest assured your submission has been received.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We look forward to reading, watching, and listening to your work.<\/span><\/p>\n<p><em>Image credit: International Women\u2019s Network Against Militarism<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Call for Submissions The Scholar and Feminist Online Rage, Struggle, Freedom: Politics of Hope and Love Margo Okazawa-Rey and Elif Sarican, Guest Editors Deadline to Submit October 2, 2023 The Scholar and Feminist Online is pleased to invite you to submit your work to our first-ever open call for a special issue on transnational feminist [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":7979,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1195,519],"tags":[1406,438],"class_list":["post-7977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-center-news","category-publications","tag-call-for-papers","tag-scholar-and-feminist-online"],"acf":[],"_links":{"self":[{"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/posts\/7977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/comments?post=7977"}],"version-history":[{"count":5,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/posts\/7977\/revisions"}],"predecessor-version":[{"id":7983,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/posts\/7977\/revisions\/7983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/media\/7979"}],"wp:attachment":[{"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/media?parent=7977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/categories?post=7977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bcrw.barnard.edu\/staging\/2435\/wp-json\/wp\/v2\/tags?post=7977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}