Archive Find 1: Jazz Poetry

by Amanda 1 Comment

While visiting Barnard’s Archive this past week, I happened across a jazz poem by a contributor to “Phat Mama”. The poem, entitled me & miles, contributed by Thulani Davis (formerly Barbara Davis) talks about the way Miles Davis’ music influenced the narrator beginning as early as childhood– “when i was a childhood/then and oh yeah now/ me and miles/ had a/ real/ thing.”

Phat Mama magazine cover art; Ntozake Shange Papers; Box 24 F. 2; Barnard Archives and Special Collections; Barnard Library, Barnard College

Phat Mama magazine cover art

The poem succeeds in focusing on the way his music communicated a relatability to feelings of melancholy. Mentions of his impact being felt by folks as early as childhood also made this poem especially interesting to me. As the semester progresses and project aims become more refined, centralizing the transfer of knowledge (i.e. histories, healing/survival practices) as content; and music, dance, poetry, painting as forms of an inter-generational communication of that knowledge remain salient for my project. My appreciation for this poem lays in the way it recognizes the limited ability one’s own expressive form can, sometimes, have in communicating certain feelings and experiences. Validating and emphasizing the need to rely on someone else’s artistic expression suggests a sense of community that I hope the collaboration between Gabby and I will successfully communicate as well.

In order to use these archival items (print material), researchers would follow the following Barnard Archive Guidelines:

Print Archival Material Citation:

Identification of Specific Item; Date (if known); Collection number- Collection name, inclusive dates; Box and Folder; Barnard Archives and Collections, Barnard Library, Barnard College.

Comment ( 1 )

  1. Kim Hall
    Nice post Amanda. I am beginning to see more clearly the links between the first iteration of the project and your collaboration with Gabby. I like the idea of multiple transfers of knowledge (or transfers of knowledge in multiple dimensions, something that seems key to Shange's praxis and worldview. Sound has a way of bypassing our defenses to get at pure feeling. Your post also made me think of the importance of Jazz in the Black Arts Movement aesthetic. In SOS, Coltrane was the mythical/iconic figure, but Davis seems to have a place in later iterations of BAM.

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