Eroticism as Poetic Introspection

by Eliana 1 Comment

In Uses of the Erotic: The Erotic as Power, Audre Lorde speaks to the importance of autonomy and self-ownership of black female bodies — to be a source of pleasure and introspection “self-affirming in the face of a racist, patriarchal, and anti-erotic society” (Lorde, 59). Lorde writes, “The erotic is a measure between the beginnings of our sense of self and the chaos of our strongest feelings” (Lorde, 54). Lorde is discussing something deeply internal, which goes against the common placement of eroticism exclusively in the realm of the external or physical. To both Lorde and Shange, sense of self is paramount, speaking to the inherent bond between poetry and eroticism.

On page 55, Lorde writes, “women so empowered are dangerous.” In Nappy Edges, Shange too puts sexual expression in conversation with danger, but does so to relay an entirely different message. Shange brings out the apparent irony in Lorde’s statement through examples of men using eroticism to put women in positions of physical danger. These instances of danger present through Nappy Edges’ detailed scenes of sexual violence are physical, and yet they are far from erotic.

Shange’s decision to define herself as a poet (rather than a playwright) is powerful in that it establishes ownership of her narrative — she is not writing to put on a performance or to wear a costume of another, she instead writes her own poetic, deeply introspective, narrative. “Some men are poets. They find wonderment & joy in themselves & give it to me. I snatch it up quick & gloat. Some men are poets” (Shange, 20). Shange then closes her piece reaffirming her stance as the poet she is by noting that she will keep writing poems ten years from now and beyond; she will continue to affirm her own selfhood and that of other black women finding their voices and owning their narratives, as this introspection of poetry and eroticism is a luxury not afforded to many women, especially not women of color. Thus, For Shange, poetry is something erotic in the way Lorde uses the word — it’s a source of power through raw recognition of internal consciousness and internal desires.

Comment ( 1 )

  1. Kim Hall
    What an insightful post Eliana. I particularly like the line "Shange too puts sexual expression in conversation with danger" which in a shorthand captures a spirit in many of Shange's works that explore how women can own and revel in their own pleasures in a world quick to claim ownership of bodies and desires. I'm also intrigued by your the last quote in which Shange seems to suggest that influence is a kind of trickster thievery (and often literary appropriation of classical works is seen in similar terms).

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