The Daughter Identity

WGSBSFor the past few weeks, I have been thinking about the concept of being a daughter and how that is a motif in Shange’s work. My understanding of the saliency of (what I call) “daughtership” was further developed through my reading of Sassafrass, Cyprus and Indigo and during the Africana Department event “Who’s Going to Sing A Black Girl’s Song?” A Conversation on Black Girlhood with distinguished Africana alumnae Asali Solomon ‘95  and Alexis Pauline Gumbs ‘04.

At the event on Black Girlhood, I asked the alumnae about the connotations the word daughter has. They said daughter denotes duty, great gifts, a claim a
nd aspirational dreams that are given to them by their mothers. These terms Asali and Alexis used are relevant to daughters Sassafrass, Cyprus and Indigo. They all have the duties. Indigo put away childish things, like her dolls, to step into womanhood and Cyprus and Sassafrass have to attract particular kinds of men as future husbands.  They each have unique gifts as musicians, dancers and weavers and they all have to negotiate their mother’s aspirations for their lives and futures.

As I reflected back on each of the daughters’ their relationships with their mother, I realized that much of the mother-daughter relationship is dictated by their relationships to men. Hilda Effania’s letters to her daughters often include advice and warnings about men. Also, when one of the daughters gifts her mother with sexy lingerie, Hilda Effania comments on how their father would have come home more often if she owned this article of clothing.

In thinking about the role of men in mother-daughter relationships, Cypress’ dream made me wonder what mother-daughter relationships would look like if men did not exist – in a world where “there were only Mothers and Daughters” (185). I wonder if the fixation on men in mother-daughter relationships has anything to do with mother’s teaching their daughters about how to navigate relationships with men for their own survival and out of a desire to protect their daughters.

This brings me to a concept which I learned of at the Black Girlhood event which is idea of “mothering oneself” as well as daughters mothering their mothers. As each of the daughters in the novel enter womanhood, they begin to mother themselves through self-nurturing and self-care, especially when their actions and beliefs are contrary to those of their mother’s desire for them. While negotiating the limitations of the mothering their own mothers can provide as they become their own woman in the coming of age process, Sassafrass, Cyprus and Indigo being to take on the role of a mother in addition to that of a daughter as they care for themselves and as they look to have daughters of their own.

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Comments ( 4 )

  1. Melissa
    Nadia, your post poses many of the questions I grappled with in considering the prominence of maternal bonds in the text. I didn't notice before you mentioned it that the sisters' relationships with their mother often concerned men in the advice Hilda Effania shared and their own perceptions of their father. I don't know if that means that their relationship is dictated by men or if their relationship offers a critical space where they can offer resistance and solidarity to one another in facing heterosexism and patriarchal violence. I am interested in what you said about daughterhood denoting "duty, great gifts, a claim and aspirational dreams that are given to them by their mothers". I would like to connect that to the idea you offer of "mothering oneself". How can we offer ourselves duty, gifts, and aspirational dreams or the freedom to dream through our own efforts to mother our spirits and, conversely, rely upon our spirits for internal mothering? Thank you for inspiring such a rich and complex dialogue that has the capacity to reveal so much about the richness of kinship bonds.
  2. Dania
    This semester, I have been confronted with black girlhood and black motherhood by challenging the notion of mothering being limited to and completely dependent on biological mothers. Mostly because I have been reflective and grateful to the many mothers who have mothered me and the impacts the multiple relationships have had on my development. Also challenging that the act of "mothering" is limited to elderly folk- thinking about the role of friendships that "mother" in unpatronizing ways or seek "mothering" from external sources. In addition to this, I have been thinking about the continuity of black girlhood because of the parts of black women (a non-infantalizing way) and their lives that require consistent nurture in white patriarchal america.
    • Kim Hall
      Dania, your interrogation of the relationship between motherhood and biological ties is very on point. Black Feminist scholars have long recognized the "other mother"-- someone who serves a key maternal function (at times alongside a biological mother)-- as an important figure in African American lives. Like Carol Stack's study of "fictive kin" (btw, I'm appalled that the wikipedia article on this doesn't mention her 1974 book), these are ways of making visible the ways blacks in particular created family even during the disruptions of biological family ever since the colonial era.
  3. Kim Hall
    Great post Nadia. Your question at the event really generated a powerful discussion and you do an excellent job of connecting this to SC&I (although I'm inclined to agree with Melissa that some of the focus on men in the letter is about the negotiation of heterosexism and patriarchy).

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