On November 8, 2014, members of the Flex and Lite Feet dance communities joined Ali Rosa-Salas ’13 for a lecture demonstration and discussion. NO SUCH THING AS NEUTRAL highlights movement-based artists who engage notions of subjectivity and materiality of the body in their work while utilizing the technical formalities of Abstraction. The project celebrates Flex and Lite Feet, looking at their evolution and the indelible impact they have had in the contemporary dance world. At the event, Rosa-Salas engaged Flex and Lite Feet dancers in a spirited discussion about their artistry, their techniques, and their personal experiences dancing a style considered “street” in a dance world that values formal training and classical technique.
NO SUCH THING AS NEUTRAL is the culmination of Rosa-Salas’s year-long work as a 2014 Barnard Alumni Fellow with BCRW. Much of Rosa-Salas’s research is interested in examining what she calls the false and problematic binary between “formal” dances and “street” or “vernacular” dances. The “formal” side of this binary houses ballet and modern techniques; “street” or “vernacular” styles like tap, jazz, hip-hop, voguing, Flex and Lite Feet make up the other half of the dance binary. While “formal” dance is privileged with forming the “bedrock of all contemporary dance,” with the highest levels of training necessary to perform these styles, “street” styles are thought to be “natural,” with very little formal training or technique necessary. Rosa-Salas also examines the ways in which “street” styles are appropriated by mainstream pop-culture and how race and class factor into the construction of hierarchies in dance. Her intersectional critique framed the lecture demonstration and discussion. “These false categories bare a hierarchy that trouble me,” Rosa-Salas said in her opening comments. “Because they relegate certain dance forms into this ‘otherizing’ realm.” NO SUCH THING AS NEUTRAL strives to make these categories visible and ultimately attempts to upend them.