Header Image - The Worlds of Ntozake Shange

Daily Archives

2 Articles

Intersectionality

Like in our discussion two weeks ago on “dismantling the patriarchy” it is not possible without the influences of masculinity and how the dominant cultural forces of patriarchy. There is a continual challenge to include all identities in In the same way there is a challenge for our understanding of feminism to capture all identities, as feminism in my view is a localized experience. The fight for “equality” for women is not only racially or socioeconomically specific; but it is also grounded in one’s own experience through culture, ethnicity and personal encounter with their identity as a woman or as other. However, our readings highlight an important effort in the theory of feminism and how it is important to consider the intersectional influences and effects. Without an intersectional lens movements cannot fully fight oppression. Racism for women of color cannot be separated from their gendered oppression.

From an artistic lens, I think that Shange captures this challenge of intersectionality. Her work, and the works of many racially diverse feminist artist draw parallels of the plight of black women and people of color; yet they are able to capture the distinct and unique experience of black women and women of color. One modern artist that I appreciate is Mickalene Thomas. Her art is a process of revisiting and recreating art centered and focused on black women.

Sassafrass, Cypress, and Indigo

Shange and this writer, is measured in the impact it made on Black women’s lives. I am still in the mindset of dissecting For colored girls who have considered suicide when the rainbow is enuf . I think looking at that text in tandem with Sassafrass, Cypress, and Indigo is a celebration of both cultural and gender identity in Shange’s work. It is intended by Shange as a handbook for Black girls in order to understand their own lives and Sassafrass, Cypress, and Indigo seems to be the possibilities that exists through the same healing she talks about in “For colored girls…”.

Shange uses the analogy of a “layin on of hands,” to suggest healing through the support of other women. It is clear within the poem as Sbange writes, ‘hot a man,” and “not my mama,” that she is asking women to pull themselves up fom the ground. The power to continue and hd one’s self must come fom inside a Black woman, and not fom society. Society does not offer a woman control, but rather a feeling of powerlessness. One of the last phrases written in the play is an affirmation for Black women and it gives them power, “I found god in mysew & I loved her/ I loved her fiercely.” The very last line of the play restates Shange intentions, “& this is for colored girls who have considered suicide but are movin to the ends of their own rainbows”. The text sends the message to love and heal yourself because nobody else can do it for you. In the end, the friendships are renewed, as these women do not need this man, but rather each other. This celebrates the Black woman’s ability to support each other in the light of personal tragedy. Therefore, Shange’s perspective views women’s lives and bodies as a source of power and vision; she creates a memorable mystical woman of power in the youthful Indigo in Sassafrass, Cypress, and Indigo. Indigo’s experiences argue against the concept of menstruation as “the curse” and present it as a part of the legacy and beauty of womanhood.