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The Worlds of Ntozake ShangeAND DIGITAL STORYTELLING

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Ntozake The Photographer | Archive Find #2 | Makeen

by Zachery 2 Comments

Ntozake Shange… the playwright, the poet, the author… AND the photographer!

In my last archive find post, I reveled about how captivated I was by Ntozake’s collection of photo albums more than anything else I explored in her collection. After many revisits, these photos continue to captivate me–-not solely because they are beautiful but also it truly feels like a privilege to see through Ntozake’s eyes.

 

This course is titled the Worlds of Ntozake Shange and Digital storytelling. We explore the worlds she creates through writing and performance, but what does it mean to consider the world that she lived in? What about this lived world of Ntozake Shange led her to create these, sometimes fictitious and other times not, worlds that we’ve had the joy of exploring through writing. To me, Ntozake’s photography provides a glimpse into Ntozake’s real world.

Photo at a Protest taken by Ntozake

Photo of an unidentified saxophonist, taken by Ntozake

 

Many of the photos present in the album feature a smiling Ntozake dolled up alongside other artists, at seemingly lavish galas/events. Some of them feature her alongside her family. The ones that are my favorite are ones that seem like snapshots of specific environments in which Ntozake found herself. Like the two above, these moments are not posed, it is not clear who they feature or where they were taken, but it feels as though we are able to see what Ntozake saw even if just a literal snapshot moment.

 

Photo of two unidentified people, taken by Ntozake

Photo of an unidentified woman taken by Ntozake

Some photos, like the last, are of people who are presumably friends of Ntozake–– some aware of being photographed or others just existing (like in the first photo here). Many like the baby photo featured here and those in my last archive find, are of Savannah throughout the years. Others are ones of Ntozake’s living room, or dining table–– of art on her walls, or plants in the corner. All of which, to different degrees, expose us to the world that for whatever reason encouraged Ntozake to birth worlds of her own.

Savannah’s Geography – Ntozake Archive Finds

by Zachery 0 Comments

Our class spent in the archives was without a doubt the most engaged I’ve ever been in a college class. The excitement and honor I felt to look through Ntozake’s personal collection of books, awards, jewelry, manuscripts, etc. was unmatched. Through it all, however, what stood out most to me were the photo albums.

The first photo album that I went through featured a range of photos of Ntozake with what appeared to be friends/family. There is something so personal about photo albums, the ways in which we select and organize which snapshots to hold dear, that made these albums feel personal even to me despite having no connection to the content.

The second photo album, after two visits to the archives, remains my favorite find. This album, unlike the others, was focused specifically on Ntozake’s daughter Savanah. The album was comprised largely of photos that appear to be taken by Ntozake which was truly a beautiful sight–– to see a young Savannah through Ntozake’s eyes . Ones that displayed Ntozake were alongside Savannah…reading a story book or posing for a casual portrait.

What stood out to me more than the photos, however, was a poem that Ntozake wrote to Savannah.

Savannah

brown sugar cookie

how I miss you….

 

The words of her letter lay on top of a river of stamped hearts. As always, Ntozake even in her expressions of love bends traditional form and language. “Guard mi corazon…” Inserting Spanish and coupling her writing with imagery, she seems encourage Savannah to navigate the world freely as she does solely in the form of the writing.

Funnily, my immediate response was to send the letter to my mother. On the phone later that same day, we raved about it together. Our phone call ended with my mom saying “We didn’t have classes like these when I was in college, I feel so blessed to experience them through you now.”

 

The Meaning Behind my Archive Find: Blogpost #7

by Charista 0 Comments

Cup coasters I found in the Shange Archives. I reflected on each word on every coaster and realized their relationship to Shange’s work.

 

I found these cup coasters in the Ntozake Shange Archives. The box I found them in said that they were found in Shange’s home when her belongings were collected. As soon as I saw them, many thoughts ran through my mind. The words on the coasters read: consciousness, nonviolence, homeland, realization, environment, women, the journey, values, fulfillment, obstacles, hope, and freedom. 

Each word is a theme that is shown in a plethora of her works and pieces. Perhaps she used these coasters as her inspiration when she wrote? The coasters were, in fact, found laying around her house. Maybe she used a different coaster for each piece she wrote and tried to work that word/theme into it? 

These coasters make me think about each word and how every word is a significant and powerful theme that is ever-present in Shange’s pieces. The more obvious themes, to me, are the words that are almost self-explanatory: environment, women, the journey, values, fulfillment, obstacles, hope, and freedom. 

For example, let’s look at “consciousness, “realization,” and “homeland.” Consciousness and realization can be interpreted as “awareness” — awareness/realization of one’s self, awareness/realization of one’s body, awareness/realization of one’s surroundings, and awareness/realization of one’s capabilities– something that Shange often explores in pieces like Nappy Edges and for colored girls who have considered suicide/when the rainbow is enuf.

“Homeland” reminds me of Shange’s appreciation for black culture and tradition. A powerful underlying theme of Sassafrass, Cypress, and Indigo, and in many of her pieces in Lost in Language in Sound, is the significance of cultural tradition in the lives of contemporary black people. For example, my previous blogpost that talked about how Shange makes it evident that the portrayal and depiction of cultural heritage strongly affects the identity and character development of Sassafras, Cypress, and Indigo, partly because of their mother’s influence. As I continue to reflect on the words on these coasters, I will think of deeper meanings and ways these themes connect to Shange’s life, as well as my life, going forward in the semester.