“Them whites what owned slaves took everythin’ was ourselves & didn’t even keep it fo’ they own selves. Just threw it on away, ya heah. Took the drums what they could, but they couldn’t take our feet. Took them languages what we speak…But the fiddle was the talkin’ one. The fiddle be callin’ our gods what left us/be givin’ back some devilment & hope in our bodies worn down & lonely over these fields & kitchens. Why white folks so dumb, they was thinkin’ that if we didn’t have nothin’ of our own, they could come controllin’, meddlin’, whippin’ our sense on outta us. But the Colored smart, ya see. The Colored got some wits to em, you & me, we ain’t the onliest ones be talkin’ wit the unreal. What ya think music is, whatchu think the blues be, & them get happy church musics is about, but talkin’ with the unreal what’s mo’ real than most folks ever gonna know.”
(Shange, Sassafrass, Cypress & Indigo, pg. 22-23).
I find that often in literature the people who are outcasts and considered outside of society’s bounds are the most insightful. It is interesting that Indigo has the most thoughtful and honest conversation with an adult who is somewhat outside of the community because he is eccentric and lives outdoors. Uncle John is able to speak freely to Indigo despite her age because he separated from normal society. He is honest with Indigo about what it means that black people must take advantage of other modes of communication and expression. Indigo’s mother adores her and does her best to protect her but she wants to shelter her child instead of providing her with the necessary truths to prepare her for black womanhood. Not treating Indigo like a young adult is her mother’s way of protecting her and being a good parent. Unlike her mother, Uncle John does not feel the need to shelter Indigo. Uncle John is characterized as being “off” and does not subscribe to the unwritten rules of keeping children naive, so he sees no fault in educating Indigo on the history of her people.
The presence of white people in this passage, and in this book as a whole, is extremely different from the Shange works that we have read so far. In for colored girls, white people are not present nor seem to be of much importance. Of course, the systems that oppress the black women in the choreopoem are sometimes the result of a white presence, but in her manual for young black women how to deal with a white presence is not the goal. Instead she focuses on the relationships of black women with black men, other black women and self exploration. In Sassafrass, Cypress & Indigo there is discussion about how black people must live their lives in response to the presence of white people around them. In this passage Uncle John schools Indigo on the mistakes slave masters maid when trying to subdue the spirits and cultures of black slaves. He does not conceal his contempt and disapproval of white people and their actions towards black people, in a way that we have yet not seen Shange of her characters refer to white people.