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Adjustments for this week

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Ladies, I hope you are feeling supported during this difficult time. I am in the middle of consulting with the Digital Humanities Center about the final assignment and plan to reach out to you soon (possibly late tonight [Sunday] regarding alternatives and possibilities for completing the semester.

I’ll  share with you some of my challenges in handling this. I’m at somewhat of a loss here and don’t feel able to adjudicate individual situations.  On a personal level, there is no one-size-fits-all response to community crisis.  Some people find it difficult to concentrate in such a time; others find throwing themselves into a task or project to be a source of equilibrium.  They are equally valid and not necessarily based on how close one is to heart of the loss.   The other challenge is institutional: I feel like each of you at this point has clearly learned enough about Ntozake Shange and her “worlds” to do well. Most of you have felt your way through some of the archive.  However, the course fulfills a “thinking digitally” foundations requirement and that is (mostly) made manifest in the final Scalar project.  I can give you blanket extensions, but some of you also need some closure for this semester.

These are what I am thinking through and will get back to you!

Blog Prompt (not required): Shange for the People!

Cover to June Jordan & her students’ collection

Some of the Barnard staff involved with the #ShangeMagic project have asked how they can be part of discussions of Shange’s works given that they don’t have access to the classes, etc. and have limited time during the day.  I’m hoping to compile a selection of some of Shange’s works for them to have (hopefully we will discuss them over a lunch during the spring). For copyright reasons, I don’t want to call it a Shange “reader,” but maybe it will be a  “Shange mixtape” in photocopies.

Healing Justice and Ancestral Calls – Makeen Blog Post #3

Recently, I have been thinking extensively about how the individual engages with the community. This is largely connected to Ntozake’s emphasis on the prioritizing of individual liberation to achieve communal freedom in Nappy Edges. The concept of the individual role within a community also arose in my reading of the goals of the Black and Feminist Art Movements in The Art of Transformation by Lisa Gail Collins. Many of my thoughts have framed this as a dilemma of the individual vs. the collective. The Healing Justice event encouraged me to think otherwise.

 

The event opened with the calling of the names of our ancestors into the space. Specifically, we were asked to call the names of ancestors that follow us into every room that we occupy. I began thinking of names of my genetic ancestors that I could remember. Then I heard the workshop leaders calling the names of Audre Lorde, of bell hooks, and I began to think more broadly of what ancestry is. I called the names of Ida B. Wells, of Maya Angelou, of the women whose work my mother made sure I was familiar with from an early age. I began to think also what it means for these ancestors to follow us into the spaces we occupy as individuals. For someone to follow you into a space means that you are never alone. And even as we navigate our moments of solitude, our navigation is very much so guided by those who came before us. As a result, I truly did have to deconstruct my former understandings of isolation and solitude.

 

I had come to understand solitude as a being alone, separate and disconnected. This understanding of solitude has bled into my understanding of the individual. However, with this thought in mind of who follows me into the room, I was forced to think of how even my thoughts and how I carry myself have been formed and nurtured by those who came before me. It also forced me to view the individual and the collective not as being in competition with each other but as two entities that need each other to survive. I thrive as an individual because of the communities that existed before I was even here. My contributions as an individual to the communities that I exist within now are fueled by those that allow me to thrive on my own. Being in the space of the Healing Justice event, hearing the names of ancestors exit the mouths of every individual in the room, while seated in a circle truly helped me visually and audibly recognize that the individual does not have to be and is never alone. If it weren’t for this communal space, I would not have come to this realization for myself.

 

It was so wonderfully captivating to watch Ebony Noelle Golden and Tiffany Lenoi Jones embody what I hope to one day be capable of. To honor the past while navigating how to move forward. To acknowledge the many ways in which we’ve been positively influenced while shedding the negative influences that have skewed our perceptions of our past and present.