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The Worlds of Ntozake ShangeAND DIGITAL STORYTELLING

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Savannah’s Geography – Ntozake Archive Finds

by Zachery 0 Comments

Our class spent in the archives was without a doubt the most engaged I’ve ever been in a college class. The excitement and honor I felt to look through Ntozake’s personal collection of books, awards, jewelry, manuscripts, etc. was unmatched. Through it all, however, what stood out most to me were the photo albums.

The first photo album that I went through featured a range of photos of Ntozake with what appeared to be friends/family. There is something so personal about photo albums, the ways in which we select and organize which snapshots to hold dear, that made these albums feel personal even to me despite having no connection to the content.

The second photo album, after two visits to the archives, remains my favorite find. This album, unlike the others, was focused specifically on Ntozake’s daughter Savanah. The album was comprised largely of photos that appear to be taken by Ntozake which was truly a beautiful sight–– to see a young Savannah through Ntozake’s eyes . Ones that displayed Ntozake were alongside Savannah…reading a story book or posing for a casual portrait.

What stood out to me more than the photos, however, was a poem that Ntozake wrote to Savannah.

Savannah

brown sugar cookie

how I miss you….

 

The words of her letter lay on top of a river of stamped hearts. As always, Ntozake even in her expressions of love bends traditional form and language. “Guard mi corazon…” Inserting Spanish and coupling her writing with imagery, she seems encourage Savannah to navigate the world freely as she does solely in the form of the writing.

Funnily, my immediate response was to send the letter to my mother. On the phone later that same day, we raved about it together. Our phone call ended with my mom saying “We didn’t have classes like these when I was in college, I feel so blessed to experience them through you now.”

 

The significance of cultural tradition – Blogpost #5

by Charista 2 Comments

As I was reading Shange’s Sassafrass, Cypress, and Indigo, I noticed that a powerful underlying theme of this piece is the significance of cultural tradition in the lives of contemporary black people, especially during the 1970s when this piece was written. In the piece, Shange makes it evident that the portrayal and depiction of cultural heritage strongly affects the identity and character development of Sassafras, Cypress, and Indigo, partly because of their mother’s influence. 

The mother, Hilda, was a weaver, who instilled values in her daughters to absorb the creativity and discipline of a life in craft which then results in their pursuit of their own individualized arts and passions. While all three daughters were creative– with Indigo cooking and Cypress dancing–Sassafrass is the one who continues her family’s traditional occupation of weaving. I want to focus on Sassafrass in this blog post because to me, she represented cultural tradition.

Even though Sassafrass viewed weaving was an art form, rather than an occupation like her mother, she recognizes that she has a place in a line of weavers and then associates this skill with female identity on the widespread cultural scale. This is evident when Shange writes: “Sassafras was certain of the necessity of her skill for the well-being of women everywhere, as well as for her own. As she passed the shuttle through the claret cotton warp, Sassafrass conjured images of women weaving from all time and all places….”

This quote from Sassafrass, Cypress, and Indigo displays this theme of the importance of culture and tradition that doesn’t seem to escape Sassafrass’ mind. This quote almost makes it seem as if Sassafrass is realizing her calling to this art form/occupation that holds such a great deal of significance to her mother by acknowledging the importance of weavers and other female weavers everywhere.

 

My grandmother on Mother’s Day in 2016.

 

One of the cultural traditions in my family is learning to cook traditional Filipino dishes with my grandmother. Here are some of the materials we use and some of my mother’s homemade lumpia (Filipino eggrolls).