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a blessed place.

only so much i can do

“only so much i can do” in The Sweet Breath of Life by Ntozake Shange and Kamoinge.

On Monday, the class spoke about some of their favorite pieces from The Sweet Breath of Life by Shange and Kamoinge. One of my favorite image and text pairings from The Sweet Breath of Life (pictured above) depicts a wall—layered by an aged striped wallpaper, pictures of the Lord, a torn out book page covered by a straw hat, and a family photo collage. The title: only so much i can do suggests the narrator finds something on the wall that is in need of fixing and/or attention, but it seems there are only limited approaches to remedying the problem. Considering the suggestive quality of the title, and the reiteration of the fixed thing/circumstance via the wall as physical space and title of the piece, themes of compromise and agency become central.

While the title, only so much i can do, is indicative of the narrator’s limited and/or lack of agency, the text suggest that there is indeed a lot that can be done by the narrator to change the circumstance—the circumstance at hand being the Lord’s gaze erroneously falling in the direction opposite that of the family photos. The narrator’s concern with the Lord’s gaze and re-arrangement of the family photos serves as metaphor for laboring to bring oneself and one’s loved ones into a blessed place/space. It is in that place that we find the extraordinary in the mundane—miracle.

Shange, DeCarava, and the mundane

by Sophia 2 Comments

I was very excited by our class visit to the ICP. I have practically no experience with either the technical or historical practices of photography, and it was incredibly special to be taught by someone who was clearly a passionate expert, and who integrated so much of his personal relationship to the medium into his instruction. I’ve never looked at an image with such love and intensity as I did this past Monday, and I am looking forward to getting to do so more often, and with more developed tools.

Black Presentation and Authenticity through Photography

who’s hair isn’t done / let me get in that head honey / the day is lace and crinolines / curls, satins, and layers of beauty / who’s mama wouldn’t be proud / who’s eye won’t be turned when / i saunter outta this room where / the magic is and become it – The Sweet Breath of Life

 

And they has a party every Saturday night / usually not no big party / Just neighbors and home folks…But it’s nice to young folks all dressed up going somewhere–maybe to a party. But it’s sad if you ain’t invited.

The Sweet Flypaper of Life

A number of continuities exist between Shange and Kamoinge’s The Sweet Breath of Life and Langston Hughes and Roy DeCarava’s The Sweet Flypaper of Life, including authentic representations of black families and neighborhoods, and the power of pairing image and text.