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For Colored Girls reminds me being nice is a scam.

Wow. This week has been tough, very often on weeks like this I read For Colored Girls.

And I feel a little bit better.

The first time I saw For Colored Girls, I was at my states thespian festival and it really changed my life. I became obsessed with it, auditioned with monologues from it, and read it all the time. When I first saw it I felt so many things…I wanted to JUMP on the stage and perform these roles that felt so close to my heart, I wanted to scream (still do), and I dreamed of writing something so beautiful. There are too many passages in For Colored Girls that speak to me it almost feels like I have a personal relationship with the writer.

 

Lately, I have considered why I put energy into people being nice to me when half the time I just get demonized for being dark, poor and “nice”. Lately, I have been questioning why I am so nice to people who are actively ruining the lives of others without so little as a bat of the eye. In rereading “For Colored Girls” this poem JUMPED OUT OF THE ASHES and snatched my wig.

 

i usedta live in the world
really be in the world
free & sweet talkin
good mornin & thank-you & nice day
uh huh
i cant now
i cant be nice to nobody
nice is such a rip-off
regular beauty & a smile in the street
is just a set-up”

 

Because here’s the thing. I cannot separate my experience from Shange’s work and in these posts. It’s just too hard and if its too much Professor Hall please let me know. When I read this poem I think about the men who have projected violence onto me despite my kindness. I think about a lot of people who I have been nice to and have used it as an excuse to tear me down…and I am not alone.

 

When they have no real critique they tell us we aren’t being nice enough. Look at Serena, she is arguably the greatest tennis player of all time and her reputation was placed on the line for not being “nice” enough. For not being respectable. But I’m sure Serena was nice when she almost lost her life because the medical industry continuously ignores black women.

 

I have been told to watch what I say, from my parents to my teachers and even mentors. If I say the wrong thing it could come back to hurt me in the form of a career. But my silence on the abuse of others is retroactively hurting others and the silence and “kindness” of black women is the same.

 

Think of the “Mammy”. The good old American minstrel figure of a black woman there to be kind and nurse the colonizer. Often praised for her sense of worth the Mammy has no mobility to critique the system that oppresses her as long as she seeks that approval. It’s as Shange states…”A set up”. 

 

Here’s an idea:

 

Being nice should include not trapping women, trans and non binary folxs in a system set to place them at the bottom.

Being nice should mean caring about the planet and not giving up on saving it and ending world hunger and exploitation.

Being NICE should be having a world where black women don’t have to take a class about a playwright they connect to on many levels but the base of it being able to vocalize a trauma that they may have not had the experience to in unsafe spaces.

 

 

Image result for lorde

Here’s a video of Lorde explaining why she doesn’t smile. She has faced immense misogyny and serves as a vehicle of rage for young women. We stan!!

 

 

I am so excited to talk about this play. So thankful for this class.

 

i’m not sorry

by Onyekachi Iwu 1 Comment

Image result for sorry beyonce

http://https://www.youtube.com/watch?v=QxsmWxxouIM

One of my favorite poems from For Colored Girls is the poem “sorry”. MAN I wish this poem wasn’t so damn relatable. I literally found myself laughing out loud. I love the way Shange personifies the “sorry”, stating “I got sorry greeting me at my front door” and how she can’t even open her closet without the empty “sorries” of men spilling out at her feet. I think I also appreciate the specificity of it. As a queer woman who dates men, being begrudgingly “apologized” to, only for that “apology” being followed by the same exact behavior the falling week is such a specific and painful experience I never thought about before. It’s so validating how Shange was able to give space for that, and the specific experiences we need to heal from lackluster love from men.

 

you were always inconsistent

doin somethin & then bein sorry

beatin my heart to death!

talkin bout you sorry well,

i will not call,

i’m not goin to be nice,

i will raise my voice,

& scream & holler

& break things & race the engine

& tell all your secrets bout yourself to your face

& i will list in detail everyone of my wonderful lovers

& their ways i will play oliver lake loud!

& i  wont be sorry for none of it

 

The poem discusses how no matter men’s violence, when they do apologize, it’s not in a place to heal the situation or help progress the relationship. Instead, it is usually a silencing tactic. It’s a word that crosses its arms, waiting by the door for immediate forgiveness and forgetfulness. There is an expectation that you must do the work to forgive and heal alone, and to expect for him to do this work with you is asking for too much.

 

This poem immediately reminded me of Beyonce’s song “Sorry” from her Lemonade Album.

 

Now you want to say you’re sorry

Now you want to call me crying

Now you gotta see me wilding

Now I’m the one that’s lying

And I don’t feel bad about it

It’s exactly what you get

Stop interrupting my grinding

I ain’t thinking ’bout you

 

In “Sorry” by Beyonce, she repeats multiple times how she’s not “sorry” for her behavior (staying out late, spending time with her girls, and dancing). Unlike the men in Shange’s poem, she will not give an empty sorry to follow her behavior. She argues that her lover has driven her to this point, after making her miserable, waiting late for him, and having him lie to her constantly—”beatin her heart to death” as Shange puts it. Beyonce assures him multiple time “i ain’t thinkin bout you”, similar to Shange’s “I will not call” and “i will be sorry for none of it” assertion. The song is about Beyonce celebrating her own company and her companionship with other women in place of the empty companionship from a men. The video has groups of women dancing, carefree and unbothered, reminding me of images of Shange.